Monday 10 June 2013

Train spotting

There's one!
Not the best view you will ever see of a train on the Bluebell Railway's Hill Place Viaduct
On 1st August 1882, Francis Whitehurst, soon to become the tenant of Hill Place Farm in East Grinstead, saw the first service train crossing the viaduct to which the farm gave its name. This was not the scene from the 1830s, with people and livestock scattering from the spark spitting, smoke belching monster. Locomotive design had advanced to make a more civilised beast: the Bluebell Railway, who now own the viaduct, still operate two locomotives, No 55 Stepney, and No 72 Fenchurch from that time.
Works plate from Fenchurch, the oldest railway locomotive continuously in service in Britain
The first railway reached East Grinstead in 1853, cutting through the neighbouring Copyhold Farm, a slightly misleading name, as all farms in Imberhorne Manor were copyhold until they were enfranchised in the 1850s. The name was preserved in 1921, when East Grinstead Council built Copyhold Road, its first social housing, on the other side of the viaduct from the picture above.

Francis left Hill Place in around 1896, when the Blount family of Imberhorne Manor purchased the freehold to farm it with their own staff, increasing revenue without increasing costs, and avoiding the fate of many estates in the agricultural depression of the late Victorian years. He went to farm as a tenant of the Ford Manor estate in Dormansland, until he retired to the village a couple of years before his death in 1926.
My great-great grandfather's last farm
Not that our family's association with Imberhorne was over. A couple of deaths in quick succession in the 1950s meant the Blount family had to sell a substantial part of the estate to pay death duties. Most went to housing, but some was used to build Imberhorne School. In 1974, Francis' great granddaughter, my mother, needed a job fitting my school holidays, and where better to find one than in a school? She worked at Imberhorne for 25 years until her death in 1999.

With this connection, I was keen to catch a shot when the Bluebell Railway started their service to East Grinstead on March 23rd. My plan was scuttled by unseasonable weather between my home and East Grinstead. So, I travelled a couple of weeks later, following the Medway from Maidstone, where I had watched the Isthmian League Cup Final, to its source, taking the picturesque Medway Valley Line to Tonbridge, then, in a reverse of the East Grinstead Song, the 291 bus from Tunbridge Wells.

When Channel 4 made a documentary in 1985 called God Rot Tunbridge Wells, about the composer Handel, the title based on his reported comment after a bad reception at a concert in the town, my mother remarked what a sensible man Handel must have been - she could not stand the place. I found it quite pleasant, but when I had checked the time on the Millennium Clock ...
... looked round the museum and the Church of King Charles the Martyr (attended by Princess Victoria before she became Queen), and perambulated through the Pantiles (originally surfaced with tiles shaped in pans) ...
... I felt I had exhausted all it had to offer the casual visitor.
The Bluebell were still running their opening gala service, with a train up and down the line about every hour and a quarter, so I did not have long to wait.
The view from the train includes some of my great-great-grandfather's fields, although not the farmhouse, hidden from view by more recent buildings.
Turning back to our first picture, I would have found a better place to stand to get the train in if I had paid attention to a picture from earlier in the day. For some reason I thought in front of the tree peeping up from below the parapet might be a good vantage point.
Garden Wood Road from the Viaduct
Our journey has also been following Francis' middle son Alfred, my great-great uncle. He was born in view of the viaduct when it was being built, spent most of his life in Groombridge, through which I came on the 291, and died in hospital a few hundred yards from this picture. Our last task of the day is to pay our respects, in Dormansland, where he shares a grave with my mother and grandmother.
We can see how cold the spring has been, we are well into April, but the daffodils (remnants of those planted in 1964 - I keep thinking about planting more, but usually at the wrong time of year) have still to bloom.

There are some more pictures from the trip here.

Saturday 20 April 2013

Completing the walk in the woods

In 2011 I started a small photo project called A Walk in the Woods. I say started, which suggests a deliberate plan: I got lost taking what I thought was a short cut to a rugby game, and used the camera and 70-300mm lens I had in my bag to take pictures of the flora of the woods in which I found myself.

There was no particular intention to avoid the fauna, but when I capture a plant, it is at least in the most part judgment, as I will have time to look at it and get the angle that I hope will make an attractive picture. If I capture an animal, particularly a wild animal, I class it as luck, as I will need to see the creature, have the right lens on, point, focus, shoot and get a picture, preferably of its face rather than its backside, all before it runs away. Whilst I enjoy the stories of outstanding patience accompanying some of the photos in the Wildlife Photographer of the Year exhibitions, I am not tempted to emulate them, these albums are called a walk in the woods for a reason.

This consideration does not apply, as anyone who has been to Seurasaari Open Air Museum or Hietaniemi Cemetery in Helsinki will confirm, to Finnish squirrels, which happily pose for you.
"Päiväâ!"
I posted the results of the first four walks, and took the photos for the fifth at the beginning of November.
However, I forgot to edit and publish them. Still, not to worry, it would not be long before I would be out to get again to catch the woods in the snow.

I had to think again, as there was one morning of snow last winter, which had melted almost as soon as I had got my boots on. So, I had to wait a year before completing the set.
Our woods are on the Wirral Peninsula, which has a very mild micro climate, so even when it has been snowing, there is no thick blanket, more a white highlight on the plants, which makes for easier lighting.

The rest of the pictures from part 5 can be seen here, and those from part 6 here.